Phaseburn One in the press

“Fuzzy, noisy, dirty in a good way, and not quite perfect, just as you’d expect from a classic synth.”

“Locked, it’s precise, weighty bass. Pushed, it glides, overshoots and slips into controlled chaos no ordinary oscillator can make.”

“The result is a part that stays in key but never repeats exactly, which is a productive way to write evolving arps.”

“Statt das Regelverhalten zu glätten, macht das zweiköpfige Entwicklerteam Übersteuerung, Einrasten und Jitter des Loops zum zentralen Klangelement des Instruments.”

Our translation from German “Instead of smoothing out the loop’s behaviour, the two-person team makes overshoot, locking and jitter the instrument’s central sound element.”

“Quand la poursuite reste précise, le son de Phaseburn One ressort net tout en gardant une texture mouvante.”

Our translation from French “When the tracking stays precise, Phaseburn One’s sound comes out clean while keeping a shifting texture.”

“Maga a hurok lett hangszer.”

Our translation from Hungarian “The loop itself has become the instrument.”

“音色は、重厚なベースから滑らかに変化するサウンド、複雑なモジュレーションまで幅広く作成できます。”

Our translation from Japanese “Sound design ranges widely, from heavy basses to smoothly evolving sounds to complex modulation.”

“PLLs are not new, they have appeared before as modules and effects, but as far as we can tell nobody has built a whole instrument around one.”

“One oscillator listens to another and keeps trying to match it, and the interesting part starts where it fails.”

“由此可以得到独一无二的音色”

Our translation from Chinese “…giving a one-of-a-kind timbre.”